Ulytsky, S., B. Levytsky (music editors)

Ukrains’kyi narodnii spivanyk: zbirnyk ukrains’kykh narodnikh pisen’ z notamy [Ukrainian Songbook: A Collection of Folk Songs with Sheet Music]

Munich: 1946. Illustrated wrappers. Item #812

Book measures: 20.5 x 14.5 cm. 160 pages: sheet music. Text in Ukrainian. Cover design by Myroslav Hryhoriyev. A fair copy with a heavily chipped spine, worn and partially detached wrappers, and torn text block.

A scarce DP publication. In the editor's preface, the Ukrainian folk song is described as a reflection of people's history, from their triumphs and tribulations to their dreams and determination. These songs have been crafted over centuries, chronicling the struggles, joys, and hopes of the Ukrainian people. They capture the essence of various historical events, revealing the people as both creators and witnesses of their own destinies. In these songs, one hears of the heroic deeds of the Cossacks, the trials of serfdom, and the tender melodies of love stories. Each song is a snapshot of Ukrainian life and history, adorned with beautiful melodies and poetic verses that mirror the richness of Ukrainian nature. Even in exile, these songs remain a vital part of Ukrainian identity. This collection aims to share the finest Ukrainian songs with a wide audience, especially those who have been separated from their homeland by unfortunate circumstances. It serves as a valuable resource for amateur art groups, choirs, bands, youth organizations, and more, contributing to the cultural enrichment of Ukrainian society. While the editors acknowledge minor imperfections due to technical challenges, they want to emphasize that the song selection in this collection is for practical use and not a scholarly classification.

Myroslav Nikiforovych Hryhoriyev (1911-2000) was a versatile and accomplished graphic artist and journalist, whose career spanned several decades and continents. In the tumultuous years of World War II, Hryhoriyev played a pivotal role as he left Ukraine in 1945 and resettled in Germany, where he became a prominent figure in the Ukrainian displaced persons community. It was during this time that he undertook editorial roles and artistic ventures that left a lasting impact. In 1946, he assumed the responsibilities of both editor and publisher for "Plastun" and "Novak," showcasing his dedication to preserving and disseminating Ukrainian culture. As a graphic artist and illustrator, his creative touch graced the covers of notable publications, including the presented book “Ukrainian Song Book” and “Broken Strings” (1947). These contributions resonated with the Ukrainian diaspora, serving as a cultural lifeline for those seeking to maintain their heritage far from their homeland.

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